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The two leads are very good and in particular Snipes revels in his nasty role. The comedy factor is high in this film and the film certainly has tongue fastened firmly in cheek. The films pacing is good and in particular there are three big action sequences that shine, these are the opening and the end as well as a very good action scene set in a museum. Snipes plays the baddest of bad guys Simon Phoenix and does so excellently. The opening action scene is set in the present day and is a rip roaring sequence with Stallone polishing off bad guys with stylish flair, before he has a face off with the show stealer Wesley Snipes. Anything remotely bad for you, including spicy foods, is illegal and the whole new system is run by Raymond Cochtoe played by the late Nigal Hawthorne. What you get with Demolition man is an entertaining and satirical look at the future of Los Angeles where people walk about in robes and are a peace loving society. Around the same time he did the excellent Cliffhanger he also did this nifty action flick. Spartan gets a ticket for each word, gathers a pile of tickets in his hand, and announces that he now has the paper he needs. Those lighter, impish moments are what give 'Demolition Man' many of its more appealing qualities.This movie features Sly Stallone at his muscle bound, destructive best. Spartan, needing toilet paper, walks up to a wall-mounted misdemeanor dispenser and calmly speaks multiple cuss words at it. In one of the film's funnier scenes, Sgt. Stallone capably plays a brusque buffoon who has to get used to a world where he wasn't welcome.

The action is great, and the sci-fi intriguing, but the culture clash is where its heart lies. Overall, however, Brambilla's film is a comedy first. It may have an essayic undercurrent of conservatism run amok, and the dangers of a right wing-extrapolated utopia (it came out during the Clinton administration, but the fears lingered).

Indeed, the spirit of prankstership likely informed 'Demolition Man' as a whole. Golf tees up his nose, and Bullock is at ease. While Stallone may not have been a student of the Meisner technique, he clearly had enough wherewithal to keep the tone on set light, and to retain his sense of humor.

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